VIOLETTA

By Fernando FRAIHA

BIÔNICA FILMES - as PROD

Drama - Development 2019

After releasing her first graphic novel, “Violetta”, Ana is accepted at the End of the World Residence to develop her next book. In the following days and nights, Ana discovers the suprarealism, a method that makes the authors to give up their identites and become their characters.

    • Year of production
    • 2019
    • Genres
    • Drama
    • Countries
    • BRAZIL, ARGENTINA
    • Languages
    • BRAZILIAN-PORTUGUESE, SPANISH
    • Budget
    • 1 - 3 M$
    • Duration
    • 90 mn
    • Director(s)
    • Fernando FRAIHA
    • Writer(s)
    • Fernando FRAIHA
    • Producer(s)
    • Fernando FRAIHA (BIONICA FILMES), Bianca VILLAR (BIONICA FILMES), Karen CASTANHO (BIONICA FILMES)
    • Synopsis
    • Ana (31), a young Brazilian writer and designer, is going through a key moment in her life. After launching her first graphic novel "Violeta", she is accepted in the renowned "Residence of the End of the World" in Buenos Aires, to develop her next book.
      The host and mentor at the headquarters of the residence in Buenos Aires is Holden (45), a writer of a famous book that immediately intimidates Ana, who already knows the rumors about Holden and his book. The attraction between Ana and Holden is instantaneous. Beyond it, other writers are passionately living in this residence and Ana is taken to a potent path for her second graphic novel: Violet II. Throughout the days and nights in the house where everyone lives as students and where they perform exercises to stimulate creation, Ana discovers supra-realism, a peculiar method of work that discusses how reality appropriates fiction, which lead the authors abandon their identities and incorporate their characters, accompanying them on a journey through their own lives. Ana dives into the method and starts living as Violet, breaking car windows in the street to sound the alarm to create an urban symphony. And this research results in your book.
      Ana is honored with the invitation to go a step further in her commitment to the residence and goes with the group of senior residents to Ushuaia, where the creator of the "End of the World" lives: Vigo, a writer who has his legs amputated, rides a wheelchair and lives surrounded by children he has adopted throughout his life, as was one day Holden. In Ushuaia, Ana finds out that supra-realism can be even more extreme in its practices and the members of this sect are willing to go further than it could imagine. The explendor that stimulated his graphic novel in the first part of the residence will show its other side, and Ana will realize that she is only one piece in a much larger fiction.