Jean-Luc Godard often transformed his synopses into aesthetic programs. Drôles de guerres follows in this tradition and will remain as the ultimate gesture of cinema, which he accompanies with the following text: « Rejecting the billions of alphabetic diktats to liberate the incessant metamorphoses and metaphors of a necessary and true language by re-turning to the locations of past film shoots, while keeping track of modern times. »
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